在光源微弱处摸索，神秘的异想，填满未曾希冀的绮丽。 　　抛却惯性养成的无意识，超脱人类视角，解构个体组成。 　　人与自然彼此映证着存在，你即是万物，万物即是你。

在光源微弱处摸索，神秘的异想，填满未曾希冀的绮丽。 　　抛却惯性养成的无意识，超脱人类视角，解构个体组成。 　　人与自然彼此映证着存在，你即是万物，万物即是你。

Accomplished novelist Richard Sykes struggles to come up with a concept for a new book while trying to resolve his troubled marriage to Haley. In the process, he seeks out friends and colleagues to assist him in overcoming his personal demons that may servr to make him or break him.

Accomplished novelist Richard Sykes struggles to come up with a concept for a new book while trying to resolve his troubled marriage to Haley. In the process, he seeks out friends and colleagues to assist him in overcoming his personal demons that may servr to make him or break him.

和一群职业单板滑雪选手一起踏上环球征途，历经俄罗斯和加拿大的街道、日本的密林、印度和阿拉斯加的峭壁、阿尔卑斯的山峦以及格陵兰的秘境。这不仅是一项运动，更是一次旅行和一种生活态度。

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.

善恶并非殊途，而是同路相争后的暗日或白夜

警校教授徐靖之回归一线调查一起离奇案件时，结识了已故弟弟的旧友庄明诚，并利用他捣毁了一个性质恶劣的犯罪团伙，进一步侦破了一起陈年旧案。